Is It Where You're From or Where You're At? Black Demographics and Creative Economics



By: R. Asmerom


Mai Perkins remembers attending a concert at Central Park SummerStage with Cassanda Wilson, partly because of an observation the jazz singer made about Perkins’ new city. “She made a comment that I thought was so applicable to the city’s diversity. She said, ‘California has landscape, New York has people-scape!’” It was a sentiment that the native Angeleno could relate to.


Perkins is no different from the millions who migrate across the country for school or for a new job. She moved to Washington DC over ten years ago to attend Howard University and ended up in New York City to pursue her career as a writer.

So what makes New York a more complementary fit for her than her hometown? Maybe that has something to do with the creative economy, a concept much discussed by “urban expert” Richard Florida in his book “Who’s Your City: How the Creative Economy is Making the Place Where You Live the Most Important Decision of Your Life,” which explored an interesting pattern of how one’s city environment influences productivity and creativity.

“I really think that being in New York and seeing people living and thriving outside of conventional standards has really benefitted my personal and professional trajectory in ways that would not have been realized had I remained in Los Angeles,” said Perkins. The Brooklyn resident and adjunct professor at City University New York believes that the high level of diversity in New York fosters creativity and comfort with one’s personal identity.

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